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Ella Beech's avatar

Hey Nanette! One tip I can give you... I used to work as a designer for years, and for a long time, early on in my career most of the illustrators made analogue work. We (designers) used to get really frustrated when the work printed totally differently, and we were taught to calibrate our screens. Basically there is a setting somewhere for screen calibration (will be different with Macs and PCs I guess) and you can adjust what everything looks like to match a printout (although a screen will never exactly match a printout, because it’s lit up). So, for example, you could calibrate your screen to match one of your books - make it darker, more warm/cool as needed. One more thing to say is: always work in CMYK, even if it is disappointing, colour wise. RBG is basically only for screens and a printout will never match RGB. Finally, some paint colours will never be able to be patched as printed, so you could check how they scan before you use them. If they are too bright (and RGB!) they will probably go greyer when scanned. I should really write about this on my Substack. I love needing out on all of this. Thanks for the scanner tip. I really want to get an A3 one, as I spend hours scanning my work into separate pieces. X

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Helen Reynolds's avatar

You can calibrate the monitor of your computer so the colours will perfectly match up. The printers calibrate their monitors too, so everything works together nicely. I use a Spyder brand calibrator

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